Submission Preparation ChecklistAs part of the submission process, authors are required to check off their submission's compliance with all of the following items, and submissions may be returned to authors that do not adhere to these guidelines.
- The submission has not been previously published, nor is it before another journal for consideration (or an explanation has been provided in Comments to the Editor).
- The submission file is in OpenOffice, Microsoft Word, or RTF document file format.
- Where available, URLs for the references have been provided.
- The text is single-spaced; uses a 12-point font; employs italics, rather than underlining (except with URL addresses); and all illustrations, figures, and tables are placed within the text at the appropriate points, rather than at the end.
- The text adheres to the stylistic and bibliographic requirements outlined in the Author Guidelines.
This section publishes papers that are sophisticated in the use of theories, empirical materials, and methods; well-positioned in regards to contemporary scholarly debates on cultural entrepreneurship; and characterized by topical relevance. These papers are subjected to scholarly double blind peer-review.
This section publishes different types of representations of art and cultural entrepreneurship, such as short stories, essays, poetry, music, or visual art, intended to reflect, problematize and destabilize beliefs and values attached to entrepreneurial initiatives in the cultural sector. These works are subjected to artistic single blind peer-review, meaning the reviewers are anonymous while the names of the originators are known.
This section opens up a space for critical reviews on both academic and artistic works. To energize both scholarly debates and entrepreneurial initiative in the cultural sector, the section not only welcomes book reviews but also reviews on journal articles, chapters in anthologies, conference proceedings, etc., and reviews on expressions of cultural entrepreneurship, such as concerts, theatrical works, paintings, and literary works. These reviews are not subjected to double blind peer-review, instead they are developed in close collaboration with the review editor.
The data collected from registered and non-registered users of this journal falls within the scope of the standard functioning of peer-reviewed journals. It includes information that makes communication possible for the editorial process; it is used to informs readers about the authorship and editing of content; it enables collecting aggregated data on readership behaviours, as well as tracking geopolitical and social elements of scholarly communication. The data is safely stored on a server at Linnaeus University.
This journal’s editorial team uses this data to guide its work in publishing and improving this journal. Data that will assist in developing this publishing platform may be shared with its developer Public Knowledge Project in an anonymized and aggregated form, with appropriate exceptions such as article metrics. The data will not be sold by this journal or PKP nor will it be used for purposes other than those stated here. The authors published in this journal are responsible for the human subject data that figures in the research reported here.
Those involved in editing this journal seek to be compliant with industry standards for data privacy, including the European Union’s General Data Protection Regulation (GDPR) provision for “data subject rights” that include (a) breach notification; (b) right of access; (c) the right to be forgotten; (d) data portability; and (e) privacy by design. The GDPR also allows for the recognition of “the public interest in the availability of the data,” which has a particular saliency for those involved in maintaining, with the greatest integrity possible, the public record of scholarly publishing. Contact information: firstname.lastname@example.org