"Don't sow, grow offshoots!"

Proposing a rhizomatic agenda for research in the intersection of arts, culture, and entrepreneurship

Downloads

Authors

DOI:

https://doi.org/10.15626/ace.230102

Keywords:

Arts entrepreneurship, Cultural entrepreneurship, Rhizomatic knowledge structures, Deleuze and Guattari

Abstract

This paper considers the intersection of arts, culture, and entrepreneurship (ACE) through a novel lens, drawing on Deleuze and Guattari’s dichotomy of arboreal and rhizomatic knowledge structures. First, existing literature reviews on cultural entrepreneurship and arts entrepreneurship are critically explored. This exploration highlights the predominance of arboreal (tree-like, hierarchical, and genealogical) thinking in current ACE research as well as in conventional practices of doing and presenting literature reviews. As a challenge to this norm, a rhizomatically inspired research agenda for the intersection of ACE is proposed. By discussing the challenges of doing research in a transdisciplinary and intersectional research context, the paper ultimately considers how scholars and practitioners can understand this complexity by embracing Deleuze and Guattari’s rhizomatic principles in future research.

Metrics

Metrics Loading ...

References

Acheson, K., Maule, C. J., and Filleul, E. (1996). Cultural entrepreneurship and the Banff television festival. Journal of Cultural Economics, 20, pp. 321-339. https://doi.org/10.1007/BF00149235 DOI: https://doi.org/10.1007/s10824-005-1339-0

Albinsson, S. (2017). What is so ‘cultural’ about cultural entrepreneurship. Essays in Economic & Business History, 35(1), pp. 365–390. DOI: https://doi.org/10.4324/9781315444680-3

Becker, H.S. (1982/2008). Art Worlds, 25th Anniversary edition. Los Angeles: University of California Press. DOI: https://doi.org/10.1525/9780520934870

Beckman, G.D. (2014). What arts entrepreneurship isn’t. Journal of Arts Entrepreneurship Education, 1(1), pp. 3-19. https://doi.org/10.46776/jaer.v1.15 DOI: https://doi.org/10.46776/jaer.v1.15

Beckman, G.D. and Essig, L. (2012). Arts entrepreneurship: A conversation. Artivate: A Journal of Entrepreneurship in the Arts, 1(1), pp. 1-8. https://doi.org/10.1353/artv.2012.0000 DOI: https://doi.org/10.1353/artv.2012.0000

Boncori, I. (2023). Researching and Writing Differently. Bristol: Bristol University Press. https://doi.org/10.2307/j.ctv3405pnh DOI: https://doi.org/10.1332/policypress/9781447368144.001.0001

Bourdieu, P. (1983). The field of cultural production, or the economic world reversed. Poetics, 12(4-5), pp. 311-356. https://doi.org/10.1016/0304-422X(83)90012-8 DOI: https://doi.org/10.1016/0304-422X(83)90012-8

Bourdieu, P. and Wacquant, L. (1992). An Invitation to a Reflexive Sociology. Cambridge: Polity Press.

Bridgstock, R. (2013). Not a dirty word: Arts entrepreneurship and higher education. Arts and Humanities in Higher Education, 12(2-3), pp. 122-137. https://doi.org/10.1177/1474022212465725 DOI: https://doi.org/10.1177/1474022212465725

Bryan-Wilson, J. (2014). Invisible Products. Art Journal. 71(2), pp. 62-85. https://doi.org/10.1080/00043249.2012.10791094 DOI: https://doi.org/10.1080/00043249.2012.10791094

Bürger, T. and Volkmann, C. (2020). Mapping and thematic analysis of cultural entrepreneurship research. International Journal of Entrepreneurship and Small Business, 40(2), pp. 192-229. https://doi.org/10.1504/IJESB.2020.107752 DOI: https://doi.org/10.1504/IJESB.2020.107752

Calás, M.B., Smircich, L. and Bourne, K.A. (2009). Extending the boundaries: Reframing ‘entrepreneurship as social change’ through feminist perspectives. Academy of Management Review, 34(3), pp. 552-569. https://doi.org/10.5465/amr.2009.40633597 DOI: https://doi.org/10.5465/amr.2009.40633597

Callander, A. and Cummings, M.E. (2021). Liminal spaces: A review of the art in entrepreneurship and the entrepreneurship in art. Small Business Economics, 57(2), pp. 739-754. https://doi.org/10.1007/s11187-020-00421-0 DOI: https://doi.org/10.1007/s11187-020-00421-0

Chang, W.J. and Wyszomirski, M. (2015). What is arts entrepreneurship? Tracking the development of its definition in scholarly journals. Artivate: A Journal of Entrepreneurship in the Arts, 4(2), pp. 11-31. DOI: https://doi.org/10.1353/artv.2015.0010

Deleuze, G. and Guattari, F. (1987/2020). A Thousand Plateaus. London: Bloomsbury.

Deleuze, G. and Guattari, F. (1994). What is Philosophy? London: Verso Books.

DiMaggio, P. (1982a). Cultural entrepreneurship in nineteenth-century Boston, Part I: The creation of an organizational base for high culture in America. Media, Culture and Society, 4, pp. 33-50. https://doi.org/10.1177/016344378200400104 DOI: https://doi.org/10.1177/016344378200400104

DiMaggio, P. (1982b). Cultural entrepreneurship in nineteenth-century Boston, Part II: The classification and framing of American Art. Media, Culture and Society, 4, pp. 303-32. https://doi.org/10.1177/016344378200400402 DOI: https://doi.org/10.1177/016344378200400402

Dobreva, N. and Ivanov, S.H. (2020). Cultural entrepreneurship: a review of the literature. Tourism & Management Studies, 16(4), pp. 23-34. https://doi.org/10.2139/ssrn.3824265 DOI: https://doi.org/10.18089/tms.2020.160402

Elias, S.R.S.T.A., Chiles, T.H., Duncan, C.M. and Vultee, D.M. (2018). The Aesthetics of Entrepreneurship: How Arts Entrepreneurs and their Customers Co-create Aesthetic Value. Organization Studies. 39(2-3), pp. 345-372. https://doi.org/10.1177/0170840617717548 DOI: https://doi.org/10.1177/0170840617717548

Ellmeier, A. (2003). Cultural entrepreneurialism: on the changing relationship between the arts, culture and employment. International Journal of Cultural Policy, 9(1), pp. 3-16. https://doi.org/10.1080/1028663032000069158a DOI: https://doi.org/10.1080/1028663032000069158a

Ericsson, D. (2018). Tongivande entreprenörskap: Opera på småländska. Lund: Studentlitteratur.

Ericsson, D. (2019). Myter om metod. Lund: Studentlitteratur.

Essig, L. (2015). Means and Ends: A Theory Framework for Understanding Entrepreneurship in the US Arts and Culture Sector. The Journal of Arts Management, Law, and Society, 45(4), pp. 227-246. https://doi.org/10.1080/10632921.2015.1103673 DOI: https://doi.org/10.1080/10632921.2015.1103673

Essig, L. (2017). Same or different? The 'cultural entrepreneurship' and 'arts entrepreneurship' constructs in European and US higher education. Cultural Trends, 26(2), pp. 125-137. https://doi.org/10.1080/09548963.2017.1323842 DOI: https://doi.org/10.1080/09548963.2017.1323842

Fletcher, D. (2011). A curiosity for contexts: Entrepreneurship, enactive research and autoethnography. Entrepreneurship & Regional Development, 23(1-2), pp. 65-76. https://doi.org/10.1080/08985626.2011.540414 DOI: https://doi.org/10.1080/08985626.2011.540414

Frank, P. (2008). Ken Friedman: A life in Fluxus. In: Crawford, H. (Ed.). Artistic Bedfellows: Histories, Theories, and Conversations in Collaborative Art Practices. Lanham: University Press of America.

Gangi, J.J. (2017). Towards consensus: Suggested foundational building blocks for arts entrepreneurship research and pedagogy. Artivate: A Journal of Entrepreneurship in the Arts, 6(1), pp. 46-62. DOI: https://doi.org/10.1353/artv.2017.0004

Gartner, W.B. (2007). Entrepreneurial narrative and a science of the imagination. Journal of Business Venturing, 22(5), pp. 613-627. https://doi.org/10.1016/j.jbusvent.2006.10.003 DOI: https://doi.org/10.1016/j.jbusvent.2006.10.003

Gehman, J. and Soublière, J.F. (2017). Cultural entrepreneurship: from making culture to cultural making. Innovation, 19(1), pp. 61-73. https://doi.org/10.1080/14479338.2016.1268521 DOI: https://doi.org/10.1080/14479338.2016.1268521

Guerin, C. (2013). Rhizomatic research cultures, writing groups, and academic researcher identities. International Journal of Doctoral Studies, 8, pp. 137-150.

https://doi.org/10.28945/1897 DOI: https://doi.org/10.28945/1897

Haagort, G. (2007). Cultural Entrepreneurship: On the Freedom to Create Art and the Freedom of Enterprise. Utrecht University.

Hausmann, A. and Heinze, A. (2016). Entrepreneurship in the cultural and creative industries: Insights from an emergent field. Artivate: A Journal of Entrepreneurship in the Arts, 5(2), pp. 7-22. https://doi.org/10.1353/artv.2016.0005 DOI: https://doi.org/10.1353/artv.2016.0005

Helin, J., Dahl, M. and Guillet de Monthoux, P. (2020). Caravan Poetry: An Inquiry on Four Wheels. Qualitative Inquiry, 26(6), pp. 633-638. https://doi.org/10.1177/1077800419843949 DOI: https://doi.org/10.1177/1077800419843949

Heuman, J. (2013). “Independence,” Industrial Authorship, and Professional Entrepreneurship: Representing and Reorganizing Television Writing in the FCC Media Ownership Reviews. Cinema Journal, 52(3), pp. 120-144. https://doi.org/10.1353/cj.2013.0022 DOI: https://doi.org/10.1353/cj.2013.0022

Hjorth, D. (2022). Toward a More Cultural Understanding of Entrepreneurship. Advances in Cultural Entrepreneurship, 80, pp. 81-96. https://doi.org/10.1108/S0733-558X20220000080006 DOI: https://doi.org/10.1108/S0733-558X20220000080006

Hjorth, D. and Holt, R. (2016). It’s entrepreneurship, not enterprise: Ai Weiwei as entrepreneur. Journal of Business Venturing Insights, 5, pp. 50-54. https://doi.org/10.1016/j.jbvi.2016.03.001 DOI: https://doi.org/10.1016/j.jbvi.2016.03.001

Hughes, J. (2015). The Theatre and Its Poor: Neoliberal Economies of Waste and Gold in ‘Les Misérables’ (1985) and ‘Road’ (1986). Theatre Journal, 67(1), pp. 1-19. https://doi.org/10.1353/tj.2015.0017 DOI: https://doi.org/10.1353/tj.2015.0017

Högberg, A. and Jogmark, M. (2021). Museientreprenörskap som praktik- och kunskapsfält. Nordisk Museologi, 31(1), pp. 74-91. DOI: https://doi.org/10.5617/nm.8826

Howkins, J. (2001). The Creative Economy. London: Penguin Books.

Johannisson, B. (2020). Searching for the roots of entrepreneuring as practice: Introducing the enactive approach. In: Gartner, W.B. and Teague, B.T. (Eds.). Research handbook on entrepreneurial behavior, practice and process. Cheltenham: Edward Elgar. DOI: https://doi.org/10.4337/9781788114523.00015

Johnson, V. (2007). What is organizational imprinting? Cultural entrepreneurship in the founding of the Paris Opera. American Journal of Sociology, 113(1), pp. 97-127. https://doi.org/10.1086/517899 DOI: https://doi.org/10.1086/517899

Jordan, M. (2023). Artist activism as arts entrepreneurship. Artivate: A Journal of Entrepreneurship in the Arts, 11(3), 1-22. https://doi.org/10.34053/artivate.11.3.194 DOI: https://doi.org/10.34053/artivate.11.3.194

Klamer, A. (2011). Cultural Entrepreneurship. Review of Austrian Economics, 24(2), pp. 141-156. https://doi.org/10.1007/s11138-011-0144-6 DOI: https://doi.org/10.1007/s11138-011-0144-6

Klamer, A. (2007). Doing the Right Thing: a Value Based Economy. London: Ubiquity Press. https://doi.org/10.5334/bbb DOI: https://doi.org/10.5334/bbb

Klamer, A. and Zuidhof, P.-W. (2007). The role of the third sphere in the world of arts. In: Ayata, B. (Ed.). Kulturekonomi: Konsten att fånga osynliga värden. Lund: Studentlitteratur.

Kolsteeg, J. (2013). Situated cultural entrepreneurship. Artivate: A Journal of Entrepreneurship in the Arts, 2(1), pp. 3-13. https://doi.org/10.1353/artv.2013.0004 DOI: https://doi.org/10.1353/artv.2013.0004

Konrad, E.D. (2013). Cultural Entrepreneurship: the impact of social networking on success. Creativity and Innovation Management, 22(3), pp. 307-319. https://doi.org/10.1111/caim.12032 DOI: https://doi.org/10.1111/caim.12032

Kuhlke, O., Schramme, A. and Kooyman, R. (2015). Creating Cultural Capital: Cultural Entrepreneurship in Theory, Pedagogy and Practice. Delft: Eburon.

Kuhn, K. and Galloway, T. (2015). With a little help from my competitors: Peer netowrking among artisan entrepreneurs. Entrepreneurship Theory and Practice, 39(3), pp. 571-600. https://doi.org/10.1111/etap.12053 DOI: https://doi.org/10.1111/etap.12053

Landström, H. (2020). The evolution of entrepreneurship as a scholarly field. Foundations and Trends in Entrepreneurship, 16(2), pp. 67-243. https://doi.org/10.1561/0300000083 DOI: https://doi.org/10.1561/0300000083

Lange, B. (2011). Professionalization in space: social-spatial strategies of culturepreneurs in Berlin. Entrepreneurship & Regional Development. 23(3-4), pp. 259-279. https://doi.org/10.1080/08985620903233978 DOI: https://doi.org/10.1080/08985620903233978

Leadbeater, C. and Oakley, K. (1999). The Independents: Britain's New Cultural Entrepreneurs. London: Demos.

Lindkvist, L. and Hjorth, D. (2015). Organizing cultural projects through legitimising as cultural entrepreneurship. International Journal of Managing Projects in Business, 8(4), pp. 696-714. https://doi.org/10.1108/IJMPB-07-2015-0064 DOI: https://doi.org/10.1108/IJMPB-07-2015-0064

Lounsbury, M. and Glynn, M. (2001). Cultural entrepreneurship: Stories, legitimacy, and the acquisition of resources. Strategic Management Journal, 22(6-7), pp. 545-564. https://doi.org/10.1002/smj.188 DOI: https://doi.org/10.1002/smj.188

Monalto, V., Tacao Moura, C., Saisana, M. and Langedijk, S. (2018). The Cultural and Creative Cities Monitor: 2017 Edition. Luxembourg: Publications Office of the European Union. https://doi.org/10.2760/58643

Naudin, A. (2017). Cultural Entrepreneurship: The Cultural Worker’s Experience of Entrepreneurship. New York: Routledge. DOI: https://doi.org/10.4324/9781315444680

Nordqvist, M. and Gartner, W.B. (2020). Literature, fiction, and the family business. Family Business Review, 33(2), pp. 122-129. https://doi.org/10.1177/0894486520924856 DOI: https://doi.org/10.1177/0894486520924856

Nowell, R. (2011). “The ambitions of most indepdenent filmmakers”: Indie production, the majors, and Friday the 13th (1980). Journal of Film and Video, 63(2), pp. 28-44. https://doi.org/10.5406/jfilmvideo.63.2.0028 DOI: https://doi.org/10.5406/jfilmvideo.63.2.0028

Preece, S. B. (2011). Performing arts entrepreneurship: Toward a research agenda. The Journal of Arts Management, Law, and Society, 41(2), pp. 103-120.

https://doi.org/10.1080/10632921.2011.573445 DOI: https://doi.org/10.1080/10632921.2011.573445

Preece, S.B. (2014). Social bricolage in arts entrepreneurship: building a jazz society from scratch. Artivate: A Journal of Entrepreneurship in the Arts, 3(1), pp. 23-34. https://doi.org/10.1353/artv.2014.0005 DOI: https://doi.org/10.1353/artv.2014.0005

Pret, T. and Cogan, A. (2019). Artisan entrepreneurship: a systematic literature review and research agenda. International Journal of Entrepreneurial Behavior & Research, 25(4), pp. 592-614. https://doi.org/10.1108/IJEBR-03-2018-0178 DOI: https://doi.org/10.1108/IJEBR-03-2018-0178

Quinn, E. (2010). “Tryin’ to get over”: “super fly”, black politics, and post-civil rights film enterprise. Cinema Journal, 49(2), pp. 86-105. https://doi.org/10.1353/cj.0.0183. DOI: https://doi.org/10.1353/cj.0.0183

Rivetti, F. and Migliaccio, M. (2018). Arts and entrepreneurship: disentangling the literature. In: Brito, S.M. (Ed.). Entrepreneurship: Trends and Challenges. London: IntechOpen. https://doi.org/10.5772/intechopen.72014 DOI: https://doi.org/10.5772/intechopen.72014

Sauvagnargues, A. (2016). Artmachines: Deleuze, Guattari, Simondon. Edinburgh: Edinburgh University Press. DOI: https://doi.org/10.1515/9781474402552

Scherdin, M. and Zander, I. (2011). Art entrepreneurship: An introduction. In: Scherdin, M. and Zander, I. (Eds.). Art Entrepreneurship. Cheltenham: Edward Elgar. DOI: https://doi.org/10.4337/9781849808507.00008

Schuh, A. (2019). Having a Personal (Performance) Practice: Dance Artists’ Everyday Work, Support, and Form. Dance Research Journal, 51(1), pp. 79-94. https://doi.org/10.1017/S0149767719000068 DOI: https://doi.org/10.1017/S0149767719000068

Scott, M. (2012). Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilizing and converting Bourdieu’s alternative capitals. Poetics, 40(3), pp. 237-255. https://doi.org/10.1016/j.poetic.2012.03.002 DOI: https://doi.org/10.1016/j.poetic.2012.03.002

Steyaert, C. and Hjorth, D. (2003). New Movements in Entrepreneurship. Cheltenham: Edward Elgar. DOI: https://doi.org/10.4337/9781781951200.00010

Steyaert, C. and Katz, J. (2004). Reclaiming the space of entrepreneurship in society: geographical, discursive and social dimensions. Entrepreneurship & Regional Develop-ment, 16(3), pp. 179-196. https://doi.org/10.1080/0898562042000197135 DOI: https://doi.org/10.1080/0898562042000197135

Strøm, H. A., Olsen, T.H. and Foss, L. (2020). Tensions for cultural entrepreneurship managing continuous innovation: A systematic literature review. International Journal of Arts Management, 23(1), pp. 61-78.

Swedberg, R. (2006). The cultural entrepreneur and the creative industries: beginning in Vienna. Journal of Cultural Economics, 30(4), pp. 243-261.

https://doi.org/10.1007/S10824-006-9016-5 DOI: https://doi.org/10.1007/s10824-006-9016-5

Toscher, B. (2020). Black Canvas: Explorative Behavior and Personal Agency in Arts Entrepreneurship Education. Artivate: A Journal of Entrepreneurship in the Arts, 9(2), pp. 19-44. https://doi.org/10.1353/artv.2020.0009 DOI: https://doi.org/10.1353/artv.2020.0009

Vasko, P. (2022). Moving beyond stewards versus agents: Exploring business managers as existential beings in the interior-design and furniture industry in Småland, Sweden. Doctoral dissertation, no. 473. Växjö: Linnaeus University Press. https://doi.org/10.15626/LUD.473.2022 DOI: https://doi.org/10.15626/LUD.473.2022

White, J. (2015). Towards a theory of arts entrepreneurship. Journal of Arts Entrepreneurship Education, 1(1), pp. 4-23. DOI: https://doi.org/10.46776/jaee.v1.33

White, J. (2021). A theory of why arts entrepreneurship matters. Journal of Arts Entrepreneurship Education, 3(2), pp. 3-15. DOI: https://doi.org/10.46776/jaee.v3.65

Woronkowicz, J. (2021). Arts, entrepreneurship, and innovation. Journal of Cultural Economics, 45(4), pp. 519-526. https://doi.org/10.1007/s10824-021-09432-5 DOI: https://doi.org/10.1007/s10824-021-09432-5

Wyszomirski, M.J. and Goldberg-Miller, S. (2015). Adapting the promethean fire of business for arts and cultural entrepreneurship. In: Kuhlke, O., Schramme, A. and Kooyman, R. (Eds.). Creating cultural capital. Delft: Eburon.

Downloads

Published

2023-12-11

Issue

Section

Articles